Movie: We Need To Talk About Kevin

• Director: Lynne Ramsay
• Release Date: January 2012
• Writers: Lynne Ramsay, Rory Kinnear
• Run Time: 112
• Genre: Drama, Thriller

Tagline: We Need To Talk About Kevin

Review: This is quite simply one of the best films of the year. Even the books author, Lionel Shriver, praises the film, calling it a brilliant adaptation. Thats unusual.

Being a first time dad, the story fascinated me. What happens if you dont love your own child and they know it?

Tilda Swinton, not normally a favourite of mine, is exceedingly good as Eva, the mum uninterested in maternity. Gravid when she least wants to be, out pops Kevin, her little Damien. You know from the moment she refuses skin to skin things are not going to end well.

She has no idea how to deal with a baby. Her idea of subduing him is to stand next to a pneumatic drill to drown out his relentless screaming. Kevin grows knowing he is unloved and demonstrates this through devilish behaviour towards Eva.

Gradually Eva, if not embraces motherhood, then at least gets better at it. Perhaps this is due to her giving birth to her second child, a girl, who Kevin of course hates with a passion. Or perhaps the idea of being a mum sinks in, along with the realisation that a career is not the most important thing in life.

Evas betterments do nothing to placate Kevin; he gets worse. Evas attempts to complain about Kevin are met with ridicule by the father, played by John C. Reilly, who thinks she is delusional. Years of unintentional, but sometimes intentional, neglect take their toll on Kevin, the films tragic conclusion is perhaps inevitable.

The origin for Kevins behaviour has polarised audiences. Did Eva create a monster by failing to form a bond early on? Should she have sought help from professionals if she felt she wasnt coping? Or was Kevin simply a bad seed, an innately evil child who no one could have cured?

Now that Ive had the chance to reflect, I think it is unfair to judge either son or mother. Id be surprised if Ramsay wanted audiences to do that. What would be the point? The film is a starkly brilliant exploration of a failed relationship and the consequences that has on a family and an entire community.

If Swinton can win an Oscar so easily for her role in Michael Clayton, she should be celebrating her second win now. Its one of those performances which needs months of detoxification and psychoanalysis to move on from. Her acting is matched only by new kid on the block Ezra Miller, who plays her lovelorn son. He brings to his role a controlled ferocity we are not used to seeing. He reminded me of Hannibal Lector.

His portrayal works, apart from his first class acting, because hes not the stereotype. To look at him, you would say he was handsome and ingenuous. But looks are deceptive.

Its hard for people to be repulsed by films nowadays, even prudes are becoming lewd. But there are scenes which will shock. So rare is it to see this kind of film. They vanish as quickly as they appear. You may have missed this at the cinema, but do catch it on DVD. Youll be moved if not entertained.